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Jonathan Shaw: Turning Shit to Gold since 1953.
 

ET Logic

By Jonathan Shaw

Narcisa: “There is peoples who are the real human bings who eat when they hungry an’ e’sleep when tired - most the human being no so e’smart like that. That is the clones peoples. They all go the lunch at mid day cuz that’s the custom, is the time to eat. They brush the teeth not cuz they wan’ it the clean teeths, only cuz it is something the clone peoples all do it, is for they training, Cigano. Brainwashing. But the worst of all it is the cripple peoples. They no good for nothing. How can somebody who loosed the arm or the leg be same mental capacity as one full body person? I believe it like the Bob Marley philosophy. I rather to dead than losed my foot, cuz without it, then I no more the whole person, like it the radio with out it the antennea. No serve for no thing, got it? An’ the Narcisa, I don’t have sentiment or morality, Cigano, so I cannot participate in the society of the clone peoples. But I wan’ to participate in the something. I just don’ to know what it is… “ 

I looked at her in awe as she sat there talking for hours of the secret sciences and mystical ancient codes, quantum mechanics. Greek philosophy and sacred mathematical formulas, extra terrestrial vibrational geometric linguistics and higher dimentional magick and alchemy. It was like she was reading the Ten Commandments to a geranium. It all went far far over my head, yet at the same time I intuitively strained to understand some little part of all that was being said, for the mere raw eloquence and esoteric power of her words, however incomprehensible…

 

Copyright Jonathan Shaw 2008. All Rights Reserved.

NOTIFICAÇÃO: Os eventos relatados neste site são contos de ficção registrados na Biblioteca Nacional com todos os direitos autorais revertidos ao autor Jonathan Shaw. Os personagens mencionados são inteiramente fictícios. Certos eventos, personagens, lugares e relatos, foram baseados em fatos reais, porém qualquer semelhança a qualquer pessoa viva ou morta se trata de pura coincidência. As várias fotografias apresentadas se encontram com o rosto distorcido para preservar o anonimato das modelos que representam personagens fictícios.

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